Once, Paiute and Navajo lookouts, surely, perched on
the edges of these mesas, naked sandstone now
colonized by cell towers.
the edges of these mesas, naked sandstone now
colonized by cell towers.
That cross carved on the hillside over there symbolizes
nothing more than four-wheelers’ earnest scramblings,
rubber into soft stone and rusty dirt.
nothing more than four-wheelers’ earnest scramblings,
rubber into soft stone and rusty dirt.
The layered mesas, banded in shades of color like a paint
sample, are working on a different clock, saying to anyone
who will look long enough, that time isn’t what you think it is.
sample, are working on a different clock, saying to anyone
who will look long enough, that time isn’t what you think it is.
Zion: Only the most recent name for these gorges and walls,
lush green life next to barren stone, enough of a temple for
anyone of faith in anything, sure as sunlight.
lush green life next to barren stone, enough of a temple for
anyone of faith in anything, sure as sunlight.
More comings and goings. Close to the road, a recent strip
mall,
stone over wood frame, holds a drugstore and mortuary—
no euphemisms here. A sign out front, billowing in the wind,
says FINAL DAYS.
stone over wood frame, holds a drugstore and mortuary—
no euphemisms here. A sign out front, billowing in the wind,
says FINAL DAYS.
True, for some, but not all of this.
No comments:
Post a Comment